BLAU INTERNATIONAL - No. 6

Louis Fratino, an exceptional painter of the everyday, nods to both early Picasso and queer mid-century modernism. Paul McCarthy and Lilith Stangenberg unveil their moving-image projects, in which they bunker down as Adolf and Eva. Marie Chaix and Larissa Hofmann conjure a spirit that dispels all commands. Carrie Mae Weems confides in Agnes Gund, possibly New York’s “last good rich person,” about her life's work exposing power. And Vicente Todolí talks to fellow museum doyen Udo Kittelmann about his curating of citrus varieties. Other highlights include Masaccio, Alvaro Barrington, Maja Ruznic, Thomas Krens, Fabrice Hergott on Eugène Leroy, and Carroll Dunham and Dan Nadel on James Killian Spratt